sara cannon - art.design

the orgins.progression 0

Posted November 8, 2008

title: the orgins.progression

exhibited: artwalk 2008

rene noir 0

Posted November 8, 2008

i’ve started an art blog/journal - with friends chris bayerle and booth willson.
it features art/photography/etc that we like. check it out.

renenoir.com

Cost / Benefit Analysis 0

Posted November 8, 2008

Name of series: Cost/Benefit Analysis

Exhibited: “the show” at Bottletree, Happi Boutique w/Christian Escheverri, and Artwalk 2008

: cost / benefit analisis 1.0 - with lath frame

: cost / benefit analisis 2.0 - with lath frame

: cost / benefit analisis 1.0 - with lath frame

Artwalk 2008 0

Posted October 11, 2008

Location: Studio 212

Date: September 3-4, 2008

Series: everything has fields 0

Posted September 7, 2008

Exhibition: “everyone takes notes, everything has fields”
dual show with Jason Burgess

Location: Happi Boutique in Homewood, AL

Date: March 16, 2008

$\"everything has fields\" exhibit$

: 4.0 "This Side of Fashion"

: 3.0 "the natural order"

: 2.0 "the evolution"

: 1.0 "what we've become"

: "everything has fields" exhibit

: "the aftermath" detail

: "the aftermath"

Opening Photos: “everyone takes notes, everything has fields” 0

Posted September 6, 2008

Exhibition: “everyone takes notes, everything has fields”
dual show with Jason Burgess

Location: Happi Boutique in Homewood, AL

Date: March 16, 2008

: "everyone takes notes - 1" by Jason Burgess

: "everyone takes notes - 2" by Jason Burgess (detail)

: "everyone takes notes - 2" by Jason Burgess (detail2)

: "everything has fields" by sara cannon

: "everything has fields" by sara cannon

: "everything has fields" by sara cannon

: "everything has fields" by sara cannon

Process for sculpture “the aftermath” 0

Posted September 6, 2008

“The Aftermath” is made from found materials (wood, roots, tie wire, lath, rocks, bulldozer arm) all from a clear cut site at Moss Rock Preserve in Hoover, AL, with the exception of the lath which is from a house being gutted in Southside. The sculpture explores the aftermath of the destruction before the creation of something. (in this case, it is a strip mall in the woods) The wood was from fallen trees, the roots dug up from the ground, the rocks red Alabama sandstone not found on the surface of the forest, but dug up. It is the effects of the destruction – speaking to the fiery dilemma of what is worth preserving – and the moral aspect of suburban sprawl.